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ode aux livres | Oil And Acrylic Painting in Paintings by Sophie DUMONT.. Item composed of canvas in minimalism or contemporary style
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ode aux livres | Oil And Acrylic Painting in Paintings by Sophie DUMONT.. Item composed of canvas in minimalism or contemporary style
ode aux livres | Oil And Acrylic Painting in Paintings by Sophie DUMONT.. Item composed of canvas in minimalism or contemporary style
ode aux livres | Oil And Acrylic Painting in Paintings by Sophie DUMONT.. Item composed of canvas in minimalism or contemporary style
ode aux livres | Oil And Acrylic Painting in Paintings by Sophie DUMONT.. Item composed of canvas in minimalism or contemporary style
ode aux livres | Oil And Acrylic Painting in Paintings by Sophie DUMONT.. Item composed of canvas in minimalism or contemporary style
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ode aux livres | Oil And Acrylic Painting in Paintings by Sophie DUMONT.. Item composed of canvas in minimalism or contemporary style

Created and Sold by Sophie DUMONT.

Sophie DUMONT.

ode aux livres - Paintings

Price from $2,300 to $2,350

In Stock Now

Shipping: DHL 5-8 days
Price $150 Shipping in the US, ask the creator about international shipping.
Estimated Arrival: May 12, 2025

Handmade

Woman Owned

Made To Order

Locally Sourced

DimensionsWeight
23.62H x 23.62W x 0.79D in
60H x 60W x 2D cm
21.65H x 21.65W x 1.57D in
55H x 55W x 4D cm
1.2 kg
2.65 lb
21.65H x 21.65W x 1.57D in
55H x 55W x 4D cm

With Ode aux Livres, Sophie Dumont offers a visual and textural exploration of the literary world. This 23.6 x 23.6-inch oil on canvas, worked with a palette knife, captures the density and timelessness of knowledge while evoking the intimate warmth of a library. Through an approach that is both abstract and evocative, the artist brings books to life by playing with texture and color.

Composition and Structure
The square composition of the painting, organized into three main levels, mirrors the structure of a library while leaving room for personal interpretation. The horizontal lines of the shelves create balance, while the slightly tilted and irregular books introduce a subtle dynamism. This tension between order and movement emphasizes the idea that every book carries its own unique story.

Color Palette
The palette of Ode aux Livres is dominated by warm and neutral tones: ochre, beige, burnt sienna, deep red, and olive green. These carefully blended hues create an atmosphere that is both warm and contemplative. The red background of the shelves adds vibrant depth, highlighting the volumes and evoking the energy and richness of the literary world.

Technique and Texture
The use of the palette knife gives the piece a rich and tangible texture. The thick layers of paint mark each "book" with an almost tactile presence, emphasizing the materiality of the object and its symbolic weight. The layered paintwork creates visual depth, capturing light and guiding the viewer’s gaze across the canvas.

Symbolism and Meaning
Ode aux Livres celebrates books as vessels of knowledge, memory, and emotion. The aligned volumes are not merely objects but timeless witnesses of stories, thoughts, and cultures. The orderly arrangement of the shelves contrasts with the apparent simplicity of the forms, suggesting a universe where structure and diversity harmoniously coexist.

Conclusion
With Ode aux Livres, Sophie Dumont creates a work that is both intimate and universal. Through her technical mastery and artistic sensitivity, she captures the very essence of reading and the transmission of knowledge. This painting, both poetic and structured, is perfectly suited for a space dedicated to reflection and the celebration of culture.

Item ode aux livres
Created by Sophie DUMONT.
As seen in Creator's Studio, Langrune-sur-Mer, France
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Sophie DUMONT.
Meet the Creator
Wescover creator since 2023
Sublimate, appropriate the subject, keep only the essential.

Born in Paris on April 09, 1964. Lives and works in Langrune sur Mer (Normandy)

Sophie Dumont moved away from the Metropolis to live a few years in the Antilles, Spain and finally in Morocco.

She stores up a host of images and colors that she will carefully keep at the bottom of her memory.

On her return to France in 1991, she took the plunge and grabbed the brushes. From her earliest childhood, she was immersed in the world of painting, through the drawings of Henriette Dumont, her paternal grandmother who sketches at all times, children and grandchildren with a line that can recall that of Matisse .

Sophie Dumont is interested in the history of art, works for several years, searches, discovers in order to fully realize herself around 2007.

Its invoice becomes stronger, the layers multiply on the canvas, revealing a beach or cliffs to whoever wants to discover them.

His work in oil takes on its full value in successive layers and transparencies in shades of gray and white.

Sophie DUMONT extends her exploration of the Norman universe.

The environment is familiar to her, but she stubbornly welds the slightest vibrations.

The omnipresent landscape hides from view to reveal furtive appearances that drown in the pearly and translucent light.

The subliminal vision of a horizon cut out by distant cliffs evokes a daily life punctuated by a constantly changing space.

Nothing disturbs the tranquility of a space shaped by these diaphanous lights, a mixture of grays and shadows that subtly play with the fluidities of air and water. These landscapes imbued with a lyricism bordering on abstraction seem to move away from a reality that the heaviness of traditional painting wants to find in the recognizable.

The representation is irreversibly detached from the motif to better reflect the emotion aroused by the total immersion in the painting. The image fades before the senses, giving the viewer his freedom of interpretation.

The addition in certain paintings of materials such as gauze reveals at the same time the permanent quest for new efforts.

The hierarchy established in the canvas by different centers of interest reinforces the confrontation between matter and source of light. The lines of force are sometimes shifted

for the benefit of a greater convergence towards the heart of the representation which remains abstract,



But technical developments in no way affect the artist's predilection for large formats,

nor its expression in a free choice of subjects, such as those which, for the first time, will mark

a semblance of a break (very limited) with what remains a constant. A conspicuous distance from the painting of motifs.



CRITICAL

Sophie DUMONT's abstract is not a concept, it is an approach where each canvas is built

around graphics put into perspective by color.

The drawing can recall the shape of a body or the meanders of a landscape. It is only the unpremeditated interpretation of a figurative idea, which takes other forms in space.

The canvas is structured around a play of curves and lines filtering the lights.

It is in this refined construction that the palette of often contrasting tones enters the scene.

But the substance is never raw, drawing from its maturation lyrical effects which are the result of a fruitful work of the material. The knife shapes the material in successive layers that merge into a combination of shimmering colors.

The underlying presence of the different substrates creates this vibration born from the contrast between matter and color, to give the representation a life of its own, independent of any reference. The spectator's gaze, far from being guided, is invited to travel freely in the canvas.

His perception is only the expression of his own emotions, submitted simply to the effect of modulations transcribed by the artist. Hence this permanent relationship between works with sometimes changing appearances and spirit, but which symbolize a coherent and sincere approach.

Francois Laune

Art critic